Interview Transcripts

Irish

It was only me that could get through to her, I’d go to the care home and talk to her. I was the only person she trusted. Get her to put a drip on, take her medication. That was the toughest because every time I used to go, especially when she was in the psychiatric unit it would put me on a downer. 

When you’ve got depression it comes from within your stomach. It’s an illness that you can’t fucking shut out. A dark cloud comes over you that you can’t get away from. People say that you should talk to people but talking about it is the hardest part when you’re in that place. What you want to do is get away from people. 

You could be with friends and you feel like you’re outside the window looking through it. You’re not there, you’re not part of it. You don’t belong there, you don’t want to be part of it. You struggle to stay in conversation with people. You could be talking away but your mind is somewhere else.

You don’t really like anyone but you don’t really like yourself. For years I was full of self loathing. I hated the world, I hated my life and I hated my mum’s illness. I hated my dad not fucking being there. When he died I felt that he left me with the shit. When she died I hated that it took so long for her to die. I’d kind of wish sometimes she would die to save all the fucking shit kind of thing. Which made me feel worse.

It was years of turmoil, a tough relationship and a really hard relationship. It was how I felt when I came away from a visit, I always felt really down, it put me in a bad place every time. 

I’d go home and start drinking or sniffing to stop me thinking about it. It took me nearly two years to get out.

I graduated from uni back in 2009 with a degree in youth justice, I spent six years doing it. When I came out of prison I was in limbo, Either go back to my old ways or go straight. My Brother got me a job on the gas but I got made redundant and I thought, that’s just my fucking luck. People used to say that I’d be great with kids. I knew I had the experience but I had no qualifications. I signed up to the Open University, do the fucking degree and use my life experience to get a job and that’s what I did in the end. 

Even though I had a record, the fact that I had such a lot of life experience and that I had graduated they welcomed me with open arms.

Nathan

I was born addicted to heroin because my mum was a user, I had to have a vitamin K injection when I was born to stop me shaking like a bag head. I spent the first four years of my life in Bredbury with my Mum and Dad then he died of an overdose. I remember helping him fix scooters and riding on them with him.

When I went off my head a bit I kind of just stayed away from my friends. I just didn’t speak to them for whatever reason.

I got diagnosed with paranoid psychosis, anxiety and depression 

I was answering the door with hammers, I didn’t believe my kids belonged to me, I thought everything was a big conspiracy. No matter what anyone said to me I didn’t believe them. Jenny kept telling me that I was imagining things but I thought she was in on it. 

When I was fifteen I lived in Germany and Belgium. I got sent to live with my uncle Harry who was in the army. He was a tank commander so he’d teach the soldiers how to drive the challengers and scorpion tanks. I didn’t like him, he was very militant. I lived in the cellar in his house. It had five bedrooms but we had to live in the cellar. 

I went to prison in my teenage years, I had a fight on the A6, some guy tried to stab me… I just went to town on him basically. I got six months but I ended up doing three months extra for fucking about in prison. 

I got on well with everyone in prison, the inmates thought I was daft as a brush but I was always in trouble because I couldn’t keep my mouth shut. Not with the prisoners, more with the prison staff. It was an anti establishment thing. I took the piss out of them. 

I was from Manchester and most of the prison officers were from Liverpool. My last name is Trafford and they hated me. 

My best friend killed himself, I was with him the night that he died. I kind of blame myself because he asked me to stay with him but obviously my own family was my priority so I went home. He didn’t seem upset that night but I blame myself because maybe if I was there it wouldn’t have happened but he’d hung himself off the door in his house. 

The consultant said that I’d had a lot of traumatic events in my childhood but anything can trigger it. Jennie’s Daughter Alex had a birth at twenty three weeks. I carried the coffin, it was very small, it fucked my head up a bit, I never thought it would.

Leeroy 

I spent the best years of my life around Heaton Chapel and the links to the people there have come back tenfold in my life. 

I’ve lived all over, I went to sixteen different schools because my Dad was a big angry, violent, corrupt dominating force in our lives. Wherever he wanted to go we went with him. There wasn’t any choice. 

‘My Dad’s in a bit of bother, we’ve got to go’. 

He was always protective of us to outsiders but he wasn’t very protective towards us inside the home.

He was the only person in the world that I was scared of, it wasn’t just me. The whole town and the whole city was fucking scared of him. I don’t fear anything other than upsetting him or bringing the police to the door. I brought them back a couple of times which was out of my control but it wouldn’t just be a slap, it was a full blooded fucking smack off a twenty two stone bloke and that was throughout growing up. 

Would I say that was correct, I’m not sure, but it has had a massive impact on how I’ve acted in my own life and how far I’ve gone, the shit I’ve had to unpick.

They say in the animal kingdom they have alphas and betas but you also have apex alphas, in my world you have apex alphas like the great white shark, there are some tough beans in that sea but the deadliest is the great white shark, nothing is fucking with it! 

For me, growing up in Heaton Chapel, we had certain friends, tough blokes, tough kids. I think it was quite rare because we were all alphas. We all had leadership ability but we respected each other. That’s why we have such a strong bond to this day. Those people protected me in a way, they didn’t know it because when they would see me around the local shops laughing and joking I was really broken. 

My mum had left because my Dad threw his weight around. That’s why we went to so many schools, Mum would leave and take the kids, my Dad would find her, take the kids back, then we would move house. 

He never blamed himself.

Dad would buy a farm, there you go, a big farm, Fukin Hell. Who gets to live on a farm? but it was chaos. We’d go to a new school, then my dad would do what he does again, my mum would leave again, take us with her, then he’d blame the farm so we never settled.

We had to be able to cope anywhere, like  a new school, and know how to handle ourselves. You had to learn, to survive. A lot of it was a facade. A new kid starting a new school, you feel uneasy, it’s like starting a new job or going to an interview… You want to fit in. And that’s what I learned to do.

I learned to be a bit of a chameleon, you could put me in a corporate meeting or an old peoples home and I’ll steal the room, put me on a football pitch as captain and I’ll command the team. I think it comes from the way I was raised and had to adapt, some people can get swallowed by it. If you’re continually beaten and told your nothing like I was, you can either accept it and  have no belief but I chose another route, I chose to surround myself with leaders. 

Characters that will be with me forever, they moulded me and they helped me without knowing what they did. I’m so grateful to these people and I now see them on a daily basis.

At one point in my life I did sink. I was seventeen, I didn’t really drink, I lived with an alcoholic who was fucking handy and I didn’t want to be that. I couldn’t wait to start a family because I had a blueprint of how not to be a parent. Do the absolute opposite of him and I’ll be successful.

I met my first wife in a nightclub, we just hit it off, we couldn’t keep our hands off each other. After two weeks, she was pregnant for five years. 

She’s from Salford, we tried living in Stockport first, we got a small place in Lancashire Hill flats. I was always out though, by the time the honeymoon period wore off my friends would convince me to go out and I’d go missing, that’s when I started experimenting with drink and drugs. 

We eventually upgraded to a house that my Dad owned, then we moved again, we had our second child towards my twenties and then she got caught again. One day she went missing. I was boozing pretty heavily, it caught up on me. I didn’t really check myself. I’d go missing at the weekend then start having a few beers after work, all of a sudden two turned to four, four turned to six, you wake up feeling rough then weekend would come and I’d be on the missing list again.

My wife told me that she needed help from her Mum and wanted to move back to Salford. She was right. I needed to grow up a bit. We were two kids bringing up kids and I didn’t help situations with what I was doing. We eventually moved to Salford and rented a lovely house.

Once I landed there my dog got nicked, my bike got nicked and my car got nicked… I just felt like a victim. I didn’t have the influence that I did in Stockport, I had no security blanket and my life spiralled out of control. 

I lost my job, my driving licence, I was in and out of court, fighting with people, trying to stake my claim like I had done at home.

Before I knew it I was out of control, I had issues with my weight which was hard because I always took care of myself, I always had nice girlfriends, I always dressed nice, I was always in good shape.

At that point in my life I was alone. I missed my best friend Chris, he was my wing man, we were unstoppable but I was away from it. The drinking got worse, smoking weed, I just lost control. I used to look in the mirror and be devastated with myself, I’d think what’s fucking happened to you!

I came back to Stockport and went in the pub with my shorts and vest,  my friend shouted ‘Fucking Hell its Captain Pugwash’

It stuck in my mind and I remember going back to Salford, not blaming my friends but it was a trigger point. Anything I ate to take hunger away. I used to put my fingers down my throat to get rid of it, and that was my thing. 

I’d be drinking but every nutrient in my body was getting thrown back up and all the bad stuff was staying in. 

Before I knew it I was drinking in the morning just to get through the day, standing in a bus queue was hell, to think about being in a crowded place was a nightmare. It was my personal hell. I was hidden away from the world, I stopped playing football, I stopped going back to Stockport, I just hid myself away in Salford and it was just slip slip slip.

It’s kind of a haze but I remember waking up to a doctor at the side of my bed and telling my Mrs to ring 999 because I was ready for the off. I woke up in Hope hospital on a Liver ward where I saw people dying. People bleeding from the eyes where their liver had burst.

It was a combined accumulation of lack of nutrients in my body as well as fucking poison with drink. It was the same thing everyday, waking up shaking, having a drink. Going to have my breakfast… My mind was in complete chaos! And this chameleon person didn’t have any way of being me anymore. I had no confidence, it took them all away. I couldn’t face the world.

Again it’s a bit of a haze, I snook beers into my suitcase, it must have been a bit of a panic when the ambulance was coming and I remember waking up in the middle of the night in hospital and cracking another one open.

I was about eight stone, my skin was yellow, my eyes were yellow, my body was shutting down and I was twenty two years old.

It was all a haze to me until about a year later when it finally hit home ‘Fuck, where have I been’. It took me a while to get back to myself, I wasn’t working and I fell back into it, only this time I was hiding it because it wasn’t acceptable with my Mrs, then the eating problems came back. 

I’m in control now but I need to be, because I know I can easily be out of control. I don’t trust myself, I need to constantly check myself, whether that’s going to the gym too much, drinking too much Vimto or watching too much TV, concentrating on work too much. not concentrating enough on my kids and Mrs. Everything is balanced, it has to be balanced because if it isn’t it doesn’t work in my world.

I absolutely love waking up in the morning and attacking the day, I love to see what the day will bring.

I found myself not being able to hold onto the greasy pole but I’ve got to a place in my life where my kids like having me with them, when they go out, they want to be with me because they like showing me off and it’s a nice thing. I like coming home to a nice home with a lovely Mrs that looks after me.

I know now that I have a good heart where at one stage I didn’t, I was feral because I was raised like a fucking spartan.

We suffered a lot of hardships as kids but I look at what I did with boxing. I coach professional boxers through to white collar, I’ve been in situations where round 1 has gone, i’ve trained the fighter, they’ve had a hard time and his belief is gone.

Chip

My Granddaughter is the highlight of my life, she made me better I’ll be honest. I wouldn’t let anybody hurt her. She’s a rock. She’s the happiest little girl and she makes everybody around her happy. She makes me happy because nothing is false, she’s a little girl.

I was an only child and I liked my own space, I still like my own space. My Sons, I didn’t see very much because I was in the army. At the time you don’t realise that you’re missing your own kids growing up. When I came out of the army, my eldest Son was in the army and my youngest was living with his wife. He got battered down the garden for stealing from my Mum. I’ve not seen him since 1989. He was naughty from an early age, he started stealing and it just went on and on. He eventually got eight years in Parkhurst prison. He was sent there from Strangeways because he was so violent. He was a thug, thief and drug addict, or he was. I can’t say now because I haven’t seen him.

I suppose the worst thing about being in the army was seeing my mates killed. We were in Belfast and they got blown up in a sangar. They were protecting a building and someone ran past and threw a grenade in. That wasn’t a good point because we had to go and get them out.

When South Africa went to war with Angola, Namibia was in the middle and we were sent there to train the Namibian defence force. We’d need to go over the border into Angola, it was basically the government against mercenaries at the time. They were trying to take power in Angola and South Africa didn’t want that. There is a long road in Namibia that comes from South Africa, I think it’s seventeen hundred miles straight.

We used to see the Namibian defence forces over the border because we were training them, basically for observations and reconnaissance patrols. You would see Namibian bodies strapped to the side of the wagons over the front fender. I asked why they were there and I was told that they stop the flies going into the vehicles.

That was a low point of being in the army, when I got depression, they didn’t record it as PTSD, I was shot at a couple of times in Northern Ireland  plus all of the riots where we had bricks and molotov cocktails thrown at us. You do train for it, I went to a place in Germany called Tin City where you get another regiment throwing shit at you but in Northern Ireland they really wanted to do it, they really wanted to hurt people.

When I left the army I was working for the Police, I’m not one of those that instantly goes off, I don’t go off the boil. I’m quite level headed. I was getting more and more annoyed and angry with people. I couldn’t work out what it was. I knew I was having flashbacks. I went in work on a Friday, the photocopier wasn’t working so I launched the fucking thing across the room. They told me to go home and not to come back until I was ok. I was off for five months. 

I didn’t want any company, my Mrs kept telling me to snap out of it. It’s easy to say but not easy to do! 

At my lowest point, I’d go walking the dog and I remember sitting on a bench at the Common in Wilmslow, with the dog lead thinking I was going to hang myself. That’s how low I got.

I don’t know why, but for some reason I felt selfish because someone would find me. Somebody will see you hanging there dead. Then I thought I’d go to the Police station at night with my car and gas myself. But then I thought that my friends would find me. That’s when I started to try to turn things around. I wasn’t bothered about dying. I was off for another couple of months, I saw a counsellor but the questions they were asking were stupid in my opinion.

When I started with the flashbacks, they came at night, but then they got worse and worse until I was getting them in the day. Even now if someone drops something sharp then I flinch.

It doesn’t depress me but for that split second it scares me. Like when the first firework goes off outside, once they start going off I’m not bothered but the first banger that goes off I’m virtually under the table. I’m worse than a dog.

In past wars people got shot for cowardice, and it was never cowardice. It was PTSD, you get an overload in your brain and that’s what happened with me. Twice I’ve been off with depression. 

I don’t think people who commit suicide are selfish because the overload is terrible. 

My Son died at the age of forty four, I was sixty five and I just thought that life wasn’t fair. Why him and not me? I’d have happily gone if it meant that he had a good life. The initial grief was a pure outburst and it lasted for about fifteen minutes. Uncontrollable sobbing. After that I just put the walls up. I don’t like people hugging me because I don’t want to be touched. It makes me angry. 

I’ve lived my life, I had time to come out of the army and get on with my life and that poor little lad is gone and it isn’t right. He had three brain tumour’s and they gave him eighteen months to live and he died within four. 

It ripped me up inside and I think about him all of the time. I think about my Dad all of the time, I think of the lads in Northern Ireland. 

Finni 

The Nineteen year old that joined the Police is very different than the thirty eight year old I am now. I was brash and bold. Everything a teenager should be. Should i have gone in that young. Not a prayer. I’ve seen things and done things, got a family. The decisions I made then I wouldn’t make now. Doing what I do, you see a different side of things.

The cops never knock on someone’s door to tell them something good. It’s been death and destruction for nineteen years.

I can’t remember large parts of my youth. Sometimes my friends will talk about things I just can’t remember. I did some research and I think it’s a form of PTSD.

Death, destruction, losing my Dad, I think I block out lots of stuff.

I’m supposed to run a shift of sixty Police officers, I don’t want the stigma of having help for my mental health. I worry what will happen if I do. If I open the floodgates, what will happen, will I be able to cope. What I’m doing now is working for me. I can process stuff.

If I let someone inside, will I crumble?

Losing my Dad so young didn’t affect me at first, I went back to work after a few days and the first job I dealt with was a death. It didn’t really hit me nor do I think it has, that worries me.

I was thirty when my Son came along, it changed my outlook because everything became about him, my Wife and family. It calmed me down.

Roy 

That business that I was running, selling commercial fridges online, when I first started we did alright, then there was the financial crisis and we spent a couple of years trying to get through that, after the crisis everything was going well but after a while a lot of the bigger more traditional companies started doing the same types of thing. I was only a small outfit employing a couple of people. Our turnover was good but as things progressed our margins on the products we were selling were getting smaller and smaller. We were selling more. The orders and sales were good but we were not making enough money.

We got into a situation where we had bigger and bigger accounts but we couldn’t get enough on the sales. We were getting chopped to bits on the profit of the sales. I’d built the website, spent hours putting all of the products on there, did all the consultations, all of the design. I was selling the products too. We brought in a couple of staff members and eventually there wasn’t enough money in the business as time went on.

I ultimately made the decision that I wanted a change, I could see where it was going. My quality of life had deteriorated. I went through a period where there was lots of business coming in but I wasn’t in the position to bring in the staff that I wanted to. It was essentially just me. I didn’t go on holiday, had no time off, when I did have a break I was on my phone working. Even when me and my girlfriend at the time went away for a weekend it was just impossible. Something needed to change.

The rewards were not there but the stress was there. We could get the work but we had to cut ourselves to the bone to do it and that just wasn’t sustainable. It got to the point where one of our biggest suppliers wanted the account settled and it was like sixty thousand pounds and they wanted it all immediately.

In my personal life I become quite difficult to deal with, I was angry and irritable, taking it out on other people which wasn’t fair. I’d fallen out with my Dad about it and we were working in the same office but not talking.That added to the stress.

In terms of how I dealt with it, I turned into a different character for a while. It got to a stage where I’d lose my temper in the office, throw things around and smash things up. Things tipped me over the edge. I tried to prop the business up with my own cash as well as the credit.

I decided to liquidate the company within a few days.

I felt guilty because I had a couple of people working for me but deep down I did feel that they could do better than working for me. The way it happened did make me feel guilty.

With friends, because I was seeing people less, when I did see them, I Didn’t want to go on about how shit everything was because I didn’t want to ruin their time. You start bottling everything up then.

Even now, I’m still a little bit reluctant to talk about things.

What happened to me happens to people everyday. Some people start again and carry on but I wanted to do something completely different.

I wanted to do something that was going to get me out of bed every morning, a profession where I was trained to do something and I could go into a workplace and do it.

I’d done a little bit of journalism at university and I felt that broadcasting would give me more options such as working in radio or TV so I decided to go down that route.

I was hoping to make a transition, it just happened a bit quicker than I wanted it. I’m glad I did it but I felt working at the BBC, because of my age and going in at quite a low level. I felt like a bit of an imposter. It felt weird doing low level jobs in mid to late thirties, the average age of people doing the same job was mid to late twenties but I needed to start somewhere. I found the learning curve quite gradual. You need to learn the ropes, it’s a big organisation and I had to get to grips with it.

I didn’t like people knowing how old I was.

Pete

You assess things and you get to a point where you have a decision to make, you consider whether it’s right. I imagine that comes from my parents. I am impulsive sometimes, beer can help let things out, grace the monotony of the daily, boring chores that you need to go through. If I had any tips about life, it would be to surround yourself with people that you enjoy being with.

I grew up on a council estate but it was probably the most social I’ve ever experienced.

I was Eighteen and started playing football with the adults. I was a young lad mixing with fully grown men, tough men brought up on council estates who don’t suffer fools. They didn’t have any animosity, they weren’t afraid of anything. Other people’s opinions didn’t bother them. And when they were in each other’s company, they had each other to back themselves up. 

That type of attitude rubs off. You get to a point in your life where you go from a shy teenager to a confident young man. I don’t worry about people’s opinions, others don’t worry so why should I.

The best thing about football is the people. You’d play a match, go back to the pub and be there all afternoon. We’d talk about shite and play cards, take the piss out of each other. Every football team had characters that stood out. Some had two or three. Someone would always have a story to be discussed.

If I could instil anything in my Son it would be self confidence. I didn’t have it when I was younger. I wanted to be an electrician when I left school and work for myself because that’s where the money was. I got convinced to take a job because I was good at it but I wish I’d stuck to my original plan because then I wouldn’t need to rely on anything apart from my own capabilities.

I regret splitting up with my first wife. I think it was because of football. I was getting drunk after the match, I was playing on a Saturday and Sunday. And if it was someone’s birthday I’d guarantee to be out on a Friday or Saturday.

I didn’t spend enough time with her, As well as playing football I was working until 7:30 most evenings. By the time I got home she’d be making tea and I’d bathe my Son. It got to the stage where we didn’t have any quality time and we didn’t appreciate each other.

I did have regrets but I don’t now. I’ve got Joe, Grace and my Wife Rose. If things didn’t happen the way they did then I wouldn’t have them. I wouldn’t go back in time and change things.

I used to look after Jack two or three days a week and his Mum was brilliant, she’s a great woman. I was very fortunate because she could have been the complete opposite.

Shoot 16 | The Mayor

Having bumped into ‘Dean’ at the early stages of my project I took the opportunity to explain my project to him before asking if I could take his photograph. He reluctantly agreed and some months later he returned my email agreeing to take part in the project. I cheekily asked if I could make a photograph in the town hall of Stockport and again he came back to me with a date. In response, I arranged the cover for my work and took an hour to get the photograph.

Having taken out the travel time I had around ten minutes to get a portrait. I intended to utilise off camera flash however the lighting in the room wasn’t great and I was also faced with the problem of the sofa being sat against the wall. This meant that I was blowing the highlights against the gloss texture of the wall. After trying and trying I decided to simplify things by shooting on camera flash. In doing this I was able to use full power directing the flash away from the subject. This rendered decent results. What intrigues me about the final image is the placing and space between the two photographs above his head. I feel this represents a relaxing feel to the photo almost relieving it of tension.

Lord Mayor | Dean Fitzpatrick

Shoot 16 | Derek

I had big ideas with this shoot, my intention was to shoot a photo essay to describe the life of a pub landlord. However when I arrived I was met with Derek who was in the middle of decorating the interior of the building in preparation for reopening. I conducted the interview and managed to shoot a portrait of which I am quite pleased. The difference this time being that I decided to shoot off camera flash. This presented a problem as my plan was to shoot the portrait placing the subject in the middle of the room allowing a large amount of context to add to the rhetoric of the image (Barthes 1977).

Shoot 15 | FC Lockdown

The last couple of weeks have been extremely busy with making work for the project. I’m now at a stage where I think I need to slow down with the photo stories as I’m aware the transcription from audio to words on a page is a lengthy process and I’ve got a backlog of files to edit down and transcribe.

Away from the main project I’ve gone back to the football club I worked with in earlier modules only this time shooting a medium format camera. Having experimented with medium format earlier in the FMP I was seduced by the process of making work and immediately took myself to eBay to see if how much money I needed to to get my own camera. However for the time being i’ve managed to secure a long term loan of a Bronica ETRSi. The camera isn’t easy to use and only having an eye level viewfinder isn’t ideal.

The process of finding a vantage point, manual focus, shooting and winding the film is therapeutic. Waiting for the images to be developed is also a different experience to the instantaneous methodology of digital.

However, the most satisfying experience is in no doubt looking through the rich quality of the finished products. And I can’t help but feel that making only medium format work only might help in the selection and sequencing of future projects. At present, my main project is digital and having shot so much I don’t know what to do with all of the work. In shooting medium format, without stating the obvious. My methodology becomes much slower and methodical. Ultimately leading to becoming more excited about the work I am making.

With this football project I’ve had some successes and some failures with manual focus. As a result, more film needs to be ordered and more practice is needed. I will post this work as a page on the website as its own project with the intention of broadening my reach as a diverse photographer.

Mental Health Awareness Week 10-16th May

In order to mark MHAW I decided to make a workplace portrait everyday and share on social media. Today being the last day of the mini project, I saw this as a good opportunity to make work outside the broader project and experiment with different ways to make work. Having conducted some previous research into the Renaissance and Baroque period I wanted to attempt to make work with further intention and structure.

I also attended a multi agency meeting with a range of services based in Stockport to explain my project and ask for future collaboration. As a result I made a contact called Gemma who works for a mental health drop in centre named Making Space. This represents an exciting development and an opportunity to distribute my final project. I also made another contact at the local housing group Stockport Homes who run a number of initiatives.

As a result of making connections I have the opportunity to photography the Mayor of Stockport this week who has shown an interest in my project and stated in principle that he will help with gaining some exposure. In preparation for making the most of this opportunity, this week I begun to use off camera flash in order to further my practice. I have also begun to make mock ups of a newspaper InDesign document. I have requested some samples of newspaper design options and intend to explore this further.

Digital Photo Frame | Adobe Dimension

Building on a previous post where I opened the software for the first time I understood that learning new software takes tenacity, patience and endeavour. I had previously experimented with Cinema 4D without much conviction as I felt that it was a little out of my comfort zone and belonged to the world of animation and computer game design. However if COVID had taught me anything, it is that the digital world is only going play a more pivotal role in everyday life.

The MA has also demanded that I am more ambitious with my practice. The likes of Jenny Odell and her digital projects were an unexpected area of interest. I am also at a stage in my career development where I need to continue to further my technical skills in order to stay engaged with industry developments. Being proficient with photoshop, lightroom and video editing is no longer enough if I am to consider myself an innovative professional.

Making a Digital Photo Frame in Adobe Dimension

Having been relatively pleased with my first attempt with Adobe Dimension, my broader ambition to produce a digital exhibition needs significant learning if I am to produce something special. Having opened the work space I set about creating a frame. Sounds like a simple task but this was probably the most difficult task as I was still very much learning how to navigate around the workspace. I eventually changed the colour of the frame so that I was able to see clearly what I was working with.

Aligning and Texturing the Canvas

Having spent a considerable amount of time aligning the frame I then added a Matte texture to sit inside the frame. Having done this I then needed to ensure that the inside of the frame aligned with the actual frame itself. Again not an easy task and one that took considerable experimentation. At this stage I was becoming semi confident with the workspace and the process became a little more familiar. Having got to this stage, I then placed a further plane over the frame which would eventually become the glass surface of the frame. On to the what should have been one of the easier tasks, was the placing the object (Photograph) into the frame. According to the tutorial It was a simple task. This wasn’t the case and the finding the solution took well over an hour with the solution being the requirement to convert the asset to a ‘standard model’.

Experimenting with Lighting Environments

At this point I had a basic model which looked like a photo frame with a photograph inside. I then experimented with lighting environments and I did a number of these which is where the glass texture added an element of realism. Then onto rendering the frame to convert into a PNG image to be further placed into a programme such as photoshop. The process rendering the finished asset took some time and I don’t think my Macbook appreciated having to use all of its power.

Rendering Assets

Going forward I will need to continue to experiment and having made a frame I will need to consider a possible environment to place a series of frames. Ultimately my thoughts are to create a gallery and possibly animate a tour although this may be ambitious.

Below is a gallery of the completed asset from a number of different perspectives. Although I have discussed my intention to create a gallery, the next stage of this development is to place a trio of images together in a room. At present this appears an achievable ambition however I also understand that in using the technology whilst learning seemingly simple tasks can take a considerable amount of time.

Skills Building | Adobe Dimension

As the FMP module continues I am continually on the search for self improvement and perhaps the most difficult area to find development is the area of dissemination. To date I have researched areas such as the importance of books in addition to using soundcloud as an outlet for my interviews.

I will in the near future begin to design my proposed product in the form of a newspaper however the prospect of learning a new skill in the form of 3D design is a prospect that I find somewhat exciting. The quandary I have faced in the past is understanding my passions and limitations. My experience in a recent interview for the position of a photography teacher in a sixth form college taught me that I’m not an art teacher which is problematic in my current employment as I see myself as a hybrid teacher of photography and media as opposed to photography and art. I recognise that I do have gaps in learning in traditional processes, I continually work to rectify this and have taught myself how to develop film throughout this module.

In assessing my interests and personal goals, I will continue to develop projects using medium format however of late I begun to experiment with Adobe Dimension. The reason for doing this is the intention of ultimately creating an online exhibition. Having watched a number of tutorials I was able to produce a basic example of a mounted photograph. Although it looks quite simple, the process of lining up the elements was quite difficult initially. However, having produced the asset below I now have a starting point to continue the development. I will document this process in short posts such as these as my online exhibition space takes shape.

Adobe Dimension Development

In order to produce these assets I experimented with creating shapes, adjusting their size and density.

Adobe Dimension | Rendered Assets

Shoot 14 | Pete and Joe

As the journey continues and having recently gone through the lengthy process of making work, editing the photographs then editing the audio files into something manageable. I am now at the next wave of participants which involves the process of of calling for participants, planning and organising the making of new work around my full time job. Having organised the shoot with ‘Pete’ below. I was conscious of the prospect of being in his company for some time. This turned out to be the case and will be another lengthy editing process in the future. At this stage my thoughts go back to my research on Michelle Sank’s book ‘The Water’s Edge’ where she comments that the interview process and the photographic event were kept separate and conducted by different people. This at present is a huge luxury compared to the process that I’m engaged with in having to conduct interviews and photograph in the same sitting.

The work from this shoot I consider far from my best work. Over the lockdown period, Pete set himself the project of building his own pub in his back garden. Pete himself is a very sociable individual who has been affected by the pandemic.

When making this work I found myself working in an extremely tight space with beams across the roof. This made working with on camera flash difficult and in this case impacted on the realisation of my intentions. I do have an image that I think is ok but not really worthy of a submission. As a result of the interview Pete spoke at length about his failed marriage and how it affected him. However he also spoke of his connection with his children and the most powerful aspect was when he told me that every time he drops his teenage children off somewhere he tells them he loves them before giving them a kiss goodbye.

Pete and Joe

This image perhaps being the strongest and visually, I feel that it is an authentic representation of what emerged from the interview however I’m not happy with the crop on the knee joints as I would have liked to have a vantage point slightly below the knee. However I did work hard to make this photograph and my summative assumption about this shoot is that I worked hard to ultimately fail. At this point I’m led toWebb, A and Norris Webb, R (2014) cite Arbus

‘It’s important to take bad pictures. It’s the bad ones that have to do with what you’ve never done before. They can make you recognise something you hadn’t seen in a way that you will make you recognise it when you see it again’

Comments made by the Webb’s illustrate how I’m feeling at the moment regarding this shoot. Although not happy with the final outcome. I’m not disappointed I was able to understand the difficulties I faced and to some extent address them.

Webb, A and Webb, R (2014) On Street Photography and the Poetic Image. Aperture, New York.

Lacey & Sank (2007) The Water’s Edge. Liverpool University Press and Open Eye Gallery, Liverpool.

Contextual Research | Jooney Woodward, Renaissance and Baroque

As my project continues to develop and following an intensive week professionally I find an element of calm in looking to photographs that offer some type of escapism. Looking at the work of Jooney Woodward offers a sense of hope regarding my own practice as she makes portraits that cause me to be excited about my own practice. Whether it be the posing or gestures that subjects make, I enjoy photography that is considered in terms of intent, but most important to me is the enjoyment I take. Pre MA I found huge enjoyment in looking at the work of Rodney Smith and still do. In a personal sense, I remember the enjoyment I took from looking at Smith’s work and now I can add the work of Woodward to that list.

In response to the question of taking enjoyment from the work of others, I feel compelled to ask myself why I am drawn to such work. A complex question of which I don’t thin there is a single answer.

Iris Apfel | By Jooney Woodward

The photograph of Iris Apfel by Woodward is an example of her work that I admire. The multiple elements of detail, the contrasting textures in her clothes and jewellery serve to produce a sense of difference, a juxtaposition between old and new, or the traditional and progressive. Coupled with her spectacles, I sense that Apfel is an interesting individual, progressive in her lifestyle. Someone who has moved with the times. The colour and texture of the light green sofa creates a strong contrast with dark ruby and orange of her coat. I could address elements such as the lips and hair which lend themselves to a sense of glamour and beauty not lost with age.  Risch (2018) comments Jooney Woodward draws inspiration for her portraiture from Renaissance and Baroque paintings, and says her work is “quite static and composed compared to more reportage-y photographers.” As a result, I felt that if I was interested in this type of work I needed to work harder to understand the cornerstones and rules that I should be aware of. When Risch cites Woodward commenting about taking inspiration from Renaissance and Baroque paintings I felt that this was a good starting point. Mittendorf (2017) comments “A good word for Renaissance art is “stabilize,” while a good one for the Baroque is “dramatize.” Going back to Woodward’s photograph of Apfel and with Mittendorf’s opening comments in mind, my attention is drawn to the Apfel’s left hand being raised with her fingers slightly closed. Here is where I see drama in the image, the gesture encompasses a type of symbolic sophistication and dexterity that aligns with her profession of an interior designer. As Barthes (1958) in his essay argues ‘Steak and Chips’ makes assumptions about nationalism, masculinity, loyalty and status. In Woodward’s photograph, she makes statements about creativity, innovation, talent and sophistication. The finishing touch to the photograph being the raising of the left hand. A small element that has a huge impact.

Mittendorf makes the distinction between Baroque and Renaissance paintings being, the use of vertical and horizontal lines to create a sense of stability in Renaissance work as opposed to angular lines in Baroque paintings. Here you can clearly see a range of angular lines at play here. The angular lines created by the green sofa in addition to the triangular shape of Apfel’s right arm in almost a binary opposite of colour and angle. Going back to the left arm which is raised almost vertically but not quite. To me this represents a common theme with successful people. Almost a metaphor of someone that mostly adheres to the rules however the slight angle represents a personal voice, the sense of individuality which one may need to get to the top of one’s profession. Going back to Risch (2018) and comments about Woodward’s artistic style have helped inform my own intentions going forward. Whether I am able to achieve this level of detail going forward is yet unknown however in scrutinising Woodward’s beautiful image I feel that a roadmap to producing stronger work is a little more visible.

Barthes, R. (1958) Mythologies. Vantage, London.

Mittendorf (2017) Artistsatwork.com [Online] Available at: https://artsartistsartwork.com/renaissance-art-vs-baroque-art-understanding-the-difference/ [Accessed] 3rd May 2021.

Risch, C. (2018) Photo District News [Online] Available at: https://pdnonline.com/features/photographer-interviews/delivering-on-challenging-assignments-jooney-woodwards-odd-author-portrait-for-telegraph-magazine/#gallery-3 [Accessed] 3rd May 2021.

Woodward, J. (2021) Jooney Woodward [Online] Available at: https://jooneywoodward.co.uk/project/portfolio/#5 [Accessed] 3rd May 2021.