Project Review | Paul Clements

Having sent my work to Paul, the photographic work was met with enthusiasm. I could reflect endlessly about this however the main point of interest at this point is how i’m going to present the text. Paul highlighted the problematic nature of text and image in perhaps confusing the meaning behind the work. I felt his ideas align with the thoughts of Laura who in my last one to one session suggested further thought was needed in regard to how I present text.  

As a result, when preparing the outcome in the form of a book, I will omit the text from the pages and present them in another way. At present, the method of presentation I find most appealing is the idea of bookmarks/leaflets that slide into a book. The webinar earlier in the week it was suggested by some of my peers that I experiment with Japanese origami paper to emphasise the fragility associated with mental health. 

To conclude this section, the collective feedback all points to the removal of text from the pages. 

Tim Stubbs Hughes suggested that I had succeeded to some extent in achieving a sense of the poetic in the working class vernacular which was pleasing however his observation that the work needed to be a little more dirty with work photographed indoors was really useful. In response I feel that I will add this to the work. 

As a result of the session I feel that I received some critical feedback that will certainly add to the the work in addition to generating an understanding of what to take out. 

I still have some unresolved issues surrounding the balance of the photographic work between the poetic and portrait and how to align them. This will be an ongoing process and a quandary I will seek to resolve in the coming weeks.

Key themes taken from the session: 

The removal and presentation of text. 

The need for more intimate work made in interior settings. 

Latest WIPP Drew Findlay

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